“I remember everything”

When I think about my day, I remember everything.
Because I am me, and inside my head is everything, that I did today.
My eyes have seen so many things. My ears have heard so many sounds. Music too.
I talk with myself, and everything I say is something I decided.
From the edge of my bed, I can gaze at my entire world. At everyone I know.
Tomorrow when I open my eyes I’ll see you.
And if you ask, if you can come in here to me I’ll say yes.

It is time to fall asleep. From the bedside, we glance out of the window looking at the moon and the sky lit by stars. The house is full of sounds, and the mind is full of thoughts. Right here the story begins…

“I remember everything” was nominated for Reumert of the Year Award for Best Childrens’/Youth Performance in 2016.

Performer                        Mette Rosleff

Technician                       Sigurd Dissing      

Manuscript                      Mette Rosleff, Giacomo Ravicchio      

Director                            Giacomo Ravicchio                  

Set design                       Giacomo Ravicchio                    

Workshop                        Steen Mols, Trine Holtoug        

Props                               Sigurd Dissing                          

Composer                       Martin Vognsen

Age group                         2-5 years

Duration                           Approx. 30 minutes

Language                         Danish & English

Set-up time                       80 minutes

Space requirement         W:7m x L:7m x H:3,20m (audience included)

Technical requirement   380 v, 16A, 3 phases with CEE-plud

Black out                          Needed

Audience                          50 people

The audience says:

“an emotional and pictorial story of being a safe child with all the recognizable in everydaythings and with a starting point in the children’s universe that appeals to the audience’s own world and experience. The fineness of the artifacts helps to support the story that has the slowness and timing needed to keep the audience on the edge of their chair, waiting in exitement for what is next, despite the logical structure and recognizable universe. That is exactly what is needed in today’s children’s culture, which is often fast and too large, so there is no room for the children’s own thoughtfulness and “digestion” along the way. ” – Sincerely, a happy preschool teacher and grandmother 😊

“Thank you for a truly unique experience today. As you probably noticed, both my son and I were completely lost in the beautiful, subtle universe. So present and warm. We really had been in another dimension as we went out towards the train and the metro home. We remembered everything … again on the way back. “

“Thank you for the sensual, beautiful, warm, breathtaking experience you gave the children and the adults today. I was deeply present in the room from the first second, just like one of the small ones at first row. IYou own a rare quality, and it’s not so often you experience that, especially in theater for children. That’s how real children’s theater should be. “

“A brilliant performance for children told with warmth, humour, and a zest for life”

Børn i byen
“The room in Theater My new children’s entertainment is laid in peace, smile, optimism, magic, imagination, joy, visions and a big, great love for life.
Mette Rosleff has an absolutely outstanding ability to crawl all the way into the child and to tell about everyday life.”

Read the whole review from Teateravisen

“With a breathtaking charm, Theatre My excels in mesmerizing the little ones. Pure magic”
Teater 1
“Mette Rosleff is one of a kind. An outstanding performance for the little ones and adults too”
CPH Culture

Read the whole review from Cph Culture

“In Theater My’s enchanting children’s theater universe everything seems sparklingly real. And ‘I can remember everything’ is another show in which Mette Rosleff enriches the kindergarten children with her joy of life and her wonder.”

Read the whole review from Information